All posts in Comment

  • 12 Days

    While there is a massive emphasis on the lead up to Christmas, the post-Christmas period – the traditional Twelve Days of Christmas, between 25th December and 6th January, the feast of the Epiphany – can often be overshadowed. So, I was heartened to see that the Christmas lights were still lighting in Cork city on 3rd January. While the Christmas lights seem to go up too soon (mid-November), at least we can say that they have not been taken down too soon.

    2013-01-03 21.16.22

    Christmas Lights on St Patrick’s Street, Cork, 3rd Jan. The photo, taken outside Penny’s, looks eastward, showing displays of lights which run across the street, rows of lights going from the lamp posts to adjacent buildings and a Christmas tree at the top of Winthrop Street.

     

  • Christmas Lights

    Christmas lights are one of the most prominent ways in which the festive season makes a (visual) impact on the landscape. This part of the world has, over the past 10-15 years, witnessed increased participation in the practice of illuminating the exterior of houses and gardens with Christmas lights. This has been seen as one of the many Christmas practices which the Irish and the British have adopted from the North Americans. In the Republic of Ireland, the adoption of Christmas lights can be linked to the display-of-wealth and neighbourly-competitiveness that accompanied the Celtic Tiger in the 2000s.

    Based on a desire to explore the light displays in Cork and to compose a blog-post, I, along with my girlfriend (research associate), drove around the city in search of illuminations. The meandering route had vague destinations that were intermixed with random detours and wanderings. Upon the discovery of a noteworthy house – based entirely on our opinions on the richness and quantity of the displays – we slowed down, stopped momentarily and took a photo with a standard digital camera. The nature of the photos were influenced by the quality of the device, the inclement weather and the desire not to linger excessively outside private residences.

    In journeying, we speculated on the topic of Christmas lights as the focus of a PhD study, and found that with little effort a considerable range of social and cultural factors could be linked to the displays, including variation based on socio-economic areas, the meaning behind decorating a house, the influence of US American culture, any possible cluster of displays, the opinions of the owners, neighbours and passers-by, and so on. As with all good academic musing, the subject at hand was successfully related to all major social, cultural, political and economic issues, both historical and contemporary.

    A number of brief observations were made throughout the evening’s engagement with the Christmas illuminated landscape. Firstly, there did seem to be a general correlation between the displays and socio-economic areas, with working-class and lower-middle class areas having a greater number of very elaborate displays, compared to the more sombre illuminations of middle-class areas. In fact, many middle-class areas were devoid of exterior lights, although there was usually some effort an internal illumination, such as Christmas trees or candle arches in the windows. Next, there were several instances of clustering effects, with a number of houses in a row having similar types and scales of decorations – this may lead to observations of competitiveness, social norms and other factors.

    Thirdly, this is a night-time spectacle. Christmas lights and such decorations are enjoyed, consumed and noticed in the dark, while in daylight the wires are visible, the shapes obscure and the overall impression is absent. The illumination of the landscape in the dark hours of the winter symbolises the role of the festivities in Northern Europe, as the dreary night-time is transformed by the injection of complex and coloured arrangements of lights.

    Christmas Lights 12 1

    A series of rows and strings of light on a house near Ballintemple, although being an plentiful display it is still largely within the character of the house and surrounding area, as the lights are attached to the architecture features and shrubbery, thus, highlighting what is already present.

    CL 12 2

    This display near Ballinlough has additional lighted features, such as the reindeer and Santa climbing, which make it a distinct spectacle, especially as the surrounding residences mainly lack exterior illuminations.

    Cl 12 3

    The presence of candle arches in each of the windows creates a subtle Christmas display in this house near Ballyphehane. These arches, which originated in Northern European tradition, became very popular about 20 years ago, and can be found in the windows of many houses.

    CL 12 4

    A very elaborate illuminated collection covers this town house near Churchfield. The intensity of the display is emphasised by the fact that the entirety of the front of the house seems to be adorned with some feature or other. The photo captures a fraction of the sheer glow of the scene.

    CL 12 5

    The giant blow up Santa and snowman in front of this house near Ballyvolane make this a relatively unique display.

    Suggested reading: 

    Edensor and Millington (2009) ‘Illuminations, Class Identities and the Contested‘, Sociology, 43 (1), pp. 103 -121.

  • Exploring Place

    One of the elements of geography that I really like is its implicit focus on exploration. It is based on a fundamental desire to understand the world around us, how it functions and how we interact with it. While in academic terms, this process can be most professional and complex, the core ideas are accessible to all. Particularly, in the ways we can all explore places.

    All places, even everyday normal places, are filled with interesting elements, awaiting discovery. It is relatively easy for anyone to start thinking ‘geographically’ and begin exploring places.

    For example, urban areas have architectural features, especially above street level, which we rarely see, or how many streets do we walk down without knowing there names, or what/who is that monument dedicated to?; while rural areas have a multitude of rich hidden aspects, including rarely travelled roads, wildlife and rare flora, and antiquities.

    I would encourage everyone to engage with their local places and landscapes, to seek out the multitude of features, to appreciate their worth and to tell others. This exploration can be a purposeful encounter, or it can be something you incorporate into your routine. The important thing is that we carefully consider the world around us, in all its richness.

    Simple Explorations:

    • Observing an urban space: Find a spot you can comfortably sit or stand and observe for about 15 mins. Remain relatively stationary and look at everything that is around you (the physical and human-made landscape) and all that is happening around you (activity, weather, movement). After a few minutes, you will notice things you’ve never seen before; they’ve always been there, you just didn’t notice.
    • Re-routing: Try and take a different route than you normally would for a journey. We all get so used to travelling certain ways and can forget about streets and passages which may be different or even slightly longer, but may be more pleasant or may even prove to be more efficient at some times!
    • Who’s about (and who’s not): When you’re moving around – out shopping, at work, in school, socialising – look at who is around you? Is it all people your age? People from the same area as you? People who look, move and act like you? Are there more or different people? If not, why not?
    • Visit your place: Be a tourist for a day. So many of us have never been to the main tourist attractions in our own cities! Take an afternoon to visit that place, check it out.

    Suggested readings:

    Place Hacking 

    Placehaking or Urban exploration is a research type, a hobby and an interesting feature of contemporary urban living. It involves ‘recreationally trespassing’ into derelict sites, or, as they can be called, T.O.A.D.S.: temporary, obsolete, abandoned or derelict spaces.

    Bradley Garrett, who completed his PhD thesis on urban exploration in the Department of Geography, at Royal Holloway, University of London, is among the foremost proponents of Plachacking. His excellent blog Placehacking illustrates the richness and insight which this activity offers. Furthermore, the blog shows how the integration of different media can offer a fuller experience of place on line.

    Check out highlights from the blog:

    London Underground 

    Places & Spaces

    Adventurers’ Club 

    Other articles on Placehacking from

    The Guardian, the Shortcuts Blog from The Guardian and GeoDirections Blog:

    For more or similar, see:

    Promise of Place: A document that offers tips and techniques for exploring place, from Promise of Place, a place-based education organisation.

    Mental Mapping 

    National Geographic’s Guide to Mental Mapping: How to use mental maps to organise information about people, places, and environments in a spatial context.

  • Radio, Podcasts and Place

    I listen to radio frequently, with one always on at home and when I drive. I also listen to many podcasts, mainly as I walk. I subscribe to different shows, some of which are radio station content that is recorded and made available for download and others which are exclusively produced as podcasts.

    Form a geographic perspective, I am struck at how radio shows and podcasts can convey a very rich sense of place. I feel that podcasts/radio are powerful and under-appreciated tools for describing the world. The limitations of the medium require presenters, reporters and producers to compensate by combining thick description with high-quality sound recordings. Podcasts, and audio more generally, can play a significant role in exploring, understanding and presenting places. I’ve chosen three examples to illustrate this point.

    The first, is an episode of the NPR programme Hearing Voices, which is a weekly show that presents a series of segments, mostly collected from radio broadcasts, documentaries, podcasts and found-sound, relating to a single theme. The episode, Sacred Places (HV079), presents a selection of short pieces that really capture the essence of the places, and the people and practices involved. You can experience the Hindu holy city, Vrindavan through ‘talking notes’ and a the background track of the ambient sound, and get a sense of a Lutheran Church in Montana through an interview intermixed with sounds from services at the Church. It is a really fascinating episode, which I find myself returning to time and time again.

    The Royal Canal is a beautiful piece that uses the qualites of good radio/podcasting to portray a journey down a waterway. It is an episode of the Curious Ear, a short radio documentary series that is produced by RTÉ Radio 1, the Irish national public broadcaster. It features “Six miles of canal; six miles of stories”, as it follows the presenter/producer Ronan Kelly as he canoes along the Royal Canal in Dublin city. The use of recordings of the water and paddling is particularly evocative.

    This final example is more meta, in that it is a podcast that is about making or understanding/analysing radio and podcasts. How Sound is a very interesting short show, from PRX, the Public Radio Exchange, that explores the world of audio and radio/podcast making. The episode, Show, Don’t Tell, looks at how sound and recordings can be effectively used to demonstrate a topic to listeners, such as recordings of the presenter walking waste deep into ocean water and the difficulties of a man in a wheelchair trying to exit his car in an unsuitable disabled parking space.

    Radio, podcasts and the use of audio more generally raises questions about how researchers present their work, especially geographers. Ultimately, most academic work is conveyed in text, which is supported, sometimes, by illustrations, diagrams and maps.  However, audio is rarely used. The potential that it offers is considerable, especially in examinations of place. In my research, I frequently make audio recordings, even if it is just of the ambient sound. The use of such recordings are an important component of my methodology, which tries to gain a deep appreciation of the places being studied. I would encourage other researchers to consider the role that audio can play in their research.

    Audio version of this blogpost